Alright, I confess. I love the Seventies. The post-Vietnam 1970’s formed me as a person and provided an aesthetic sense and a moral core.

When I am down and out or emotionally drained, I simply Timebend back to the Seventies and all is well in the world again. A smiley face can heal many ills. Perhaps that’s why I am so enchanted by Technicolor curves and why I am so wholly engaged by WordPress emoticons.

Music doesn’t transport me to 1975. Art does not transport me back. Movies bring me home. There is something about a 1970’s Los Angeles movie — shot in and around the streets and neighborhoods of Los Angeles — that creates tremendous melancholia and a sense of belonging I do not have in my present life in the current world.

As a Nebraska boy born and bred in one town for the first 23 years of living — the movies were an escape from the prison of the ordinary — a release from the deadly pressure of a dulling, grey, Midwestern expectation — that suffocated and suffered. You earned your life through your deeds. Wishes were never rewards.

Attending the movies on a hot summer day — where you shivered in the dark and wondered in the freezing chill of air conditioning at the shimmering lives on the screen above you — made your corner of the world right again and provided insight and experiences beyond the self that could heal and propel the spirit beyond city limits and state borders.

The urban core was brought to the boy. If I watch the right 1970’s movie I can instantly taste, smell and feel the sun on my face from 30 years ago. It is an eerie transportation and transformation. Movies are my uncommon touchstone and it is startling to be so quickly removed from the present and be placed in the past where life — and its yearnings — were questioned but never answered.

18 Comments

  1. Hi David,
    When I think of 1970s movies I think of the Richard Roundtree “Shaft” series and the aftermath of the Civil Rights Movement. In my city in the South, there were whites who picketed the theatre showing of Shaft because it starred a cool dude who was African-American.
    I never really thought of those movies as exploiting black audiences, I thought of them as an avenue for black expression. The music of Isaac Hayes was cool, too. Groovy, man.
    Donna

  2. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
    David W. Boles says:

    Hey Donna —
    Yes, the rise of Blaxploitation films happened in the 1970s. That movement was both chaining and freeing. The movies played into stereotypes but the Black artists who made the films were then able to move into the mainstream a bit better after finding financial successes with those films.

  3. Kathakali Chatterjee – Hyderabad, India – Professionally, I have an interesting concoction of experience -- from entertainment industry to retailing to executive education -- the journey is still on. When I don't work, I love to travel, read, listen to music and watch movies.
    Kathakali Chatterjee says:

    I love 70s movies, though I watched those in 80s/90s!
    Movies were surely “a great escape” from everyday life, and for me it was a “window to a different world” too!
    Once we had a discussion among our friends about choosing our first three all-time favorites and heading to an exile for life. I started with “Roman Holiday” and ended up choosing 25 instead on 3!!! 😀

  4. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
    David W. Boles says:

    Hi Katha —
    Yes, movies have a way of creating touchstones across culture — and they can incite a universal yearning for this lost and memories forgotten. Unlike any other fleeting art form, movies are the same experience for everyone across generations because frame-for-frame every sound and image is perfectly preserved and identical from copy to copy.

  5. I use books to escape. I can go anywhere I want and I never feel trapped. My imagination sets me free.

  6. Eban Crawford – I am electronic musician Senator Jaiz. I compose electronic music in the ambient, New Age, trip-hop, orchestral, and IDM genres, among others. My music has been described as quirky, relaxing, and cinematic, although not at the same time. My influences are Aphex Twin, Vangelis, Brian Eno, Jean Michel Jarre, The Orb, Gary Numan, and Massive Attack. I am now venturing into film music after a few successful experiments and scoring short films and videos for the NC Museum of Natural Sciences. I also perform spoken word monologues set to my own compositions as Eban Crawford. I add live controlled video elements to my performances to create an immersive multimedia experience. I am co-owner of the local Raleigh label Reaching for Lucidity. RfL is the home of artist SkidmatiK, the band Oregano Wrathbone, and my work as both Senator Jaiz and Eban Crawford. I was able to bring my educational workshop, "No Permission Needed: Create" to Moogfest in 2016-17. This is focused on bringing out the wonderful creativity in all of us through music. I have also brought the workshop to local Raleigh High Schools and to NC State University. I am always ready to give the workshop so hit the "contact or booking' link to get in touch. By day, I am the composer, sound exhibit designer, and audio engineer for the NC Museum of Natural Sciences. So basically I am always creating something and working with sound. I hope you enjoy my music. If so, drop an email or a comment and let me know. Cheers! Now for the story of Senator Jaiz! The story of Senator Jaiz goes back to the mid 90”s. Originally Jaiz was a nickname given to me while I lived in Germany. The name stuck and I soon added the Senator part as I thought it sounded a bit creepy. Once back in the states, Senator Jaiz became the name of a short-lived punk band. We recorded one demo, fought with each other, and then broke up. I re-recorded the demo, removing all the parts I did not play, and used Cakewalk, an early DAW (Digital Audio Workstation), to fill in the gaps. That was the beginning of my using the computer to compose. I still had a long way to go. I let the Senator Jaiz thing die for a bit, although SJ always remained in my consciousness as an alter ego of sorts. Once I became a professional podcaster with The Reaching for Lucidity Indie Music Blast and signed to Podshow (Mevio) in 2005, Senator Jaiz became my co-host. As with any proper alter ego I voiced both parts and actually had conversations with myself. With the podcast I tapered off on making music and focused on promoting indie artists. This time at Podshow led me to create the RfL Animated Adventures in 2008, which featured Senator Jaiz as a character. He was the 485-year-old little red demon boy from the 5th Dimension. The series lasted for five episodes. After being  cut from the Mevio roster in 2010, the podcast trailed off after 400+ episodes. I began experimenting and producing music again seriously. Armed with Ableton Live, Senator Jaiz had another life as my new solo act and again my alter Ego! And away we go!
    Eban P. Crawford says:

    Hi David,
    I am right with you on the 70’s movies. I still think many of the best are from that time, and like you I get transported back.
    It was not just the well made films that get me, but also the campy and the cheap. The kung fu and horror movies of the seventies were just spectacular, reveling in their cheap costs and low quality. It was just good fun.
    It was something about the shift in attitudes from the 60’s, which could be preachy. Also about that time, acting stopped being as camp as in the past. Another ingredient was that special effect were improving, but still not to the point where you could carry a movie with the effects, you still needed to spin a good yarn.
    I get saddened these days when my favorites from the seventies get redone, all glitz and fluff, with none of the feeling or quality of the product from days gone by.
    Funny thing is how Tarrantino can get so close to the feel of that time, but he was a junkie of that era. The movies were his drug. Also, as I love old horror, Rob Zombie’s Devil’s Rejects had a 70’s effect on me. That movie could have come straight from that era.
    I find myself looking forward to seeing Zombie’s take on another late 70’s classic, Halloween. As he was a fan and junkie of the cinema like Tarrantino, and has already produced two films that hearken back to the era, I feel this could be a great flick.
    The 70’s stand as a transition time, and the movies project that. I for one think that was a golden age that will be looked back on as one of the best times for Tinseltown.
    This was a great post David, thanks for transporting me back this morning!

  7. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
    David W. Boles says:

    arin —
    Yes, books are also a conditional escape — but reading them is intimate and personal. The words are the same but the experience varies from person to person as imagination takes over to define the unknown.

  8. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
    David W. Boles says:

    Eban!
    Yes! You’re in the mix of it! 1970’s movies have a definite look and feel across time and space. There is a different between the preaching of the 60’s and the bling-blang of the 1980’s. There was a serious to the work. Seeing a car and clothing from the decade brings back a flood of memory and feeling unlike any other era.
    Rob Zombie’s movies scare me.
    Quentin is fine talent. Sometimes he gets lost within himself and forgets he’s here to entertain us.
    There’s nothing like seeing a 1970’s movie set in New York for a taste of the real Gold Age of the city in proper color and culture. Neil Simon’s “Plaza Suite” from 1971 is a perfect example of tasting that decade in real time for me:
    http://www.imdb.com/title/tt0067589/
    “The Odd Couple” TV show that ran from 70-75 is another real delight for seeing NYC is palpable glory when they do street shots.
    http://www.imdb.com/title/tt0065329/

  9. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
    David W. Boles says:

    Yes, arin, movies take imagination — but the same experience is shared between people without any wiggle room. The blue you see is the blue I see because it is defined for us on the screen. Books rely on a certain filling in of experience that the movies do not. You can spend a lot of time arguing interpretation but not the facts contained in the frames because they never change.

  10. Hi David,
    I loved the 1970s also. I was born in 1970, so all of the fun years of being able to be carefree and just a kid were during those times. (The same can be said of the 1980s and 1990s, but there was more homework involved during those years).
    Whenever it starts to feel warm and get close to the end of the school year, I always think back to the days of spending almost every day of the summer riding bikes and lounging around the swimming pool. Sometimes a cool breeze can bring back memories of playing whiffle ball with neighborhood kids.

  11. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
    David W. Boles says:

    Right, Chris! Memory is a powerful thing.
    “That 70’s Show” has nothing on the real 70s we lived through — that show is mocking and off-target in so many ways.
    I grew up listening to Nebraska football on the radio on cool Saturday afternoons with a crispness in the air and leaves falling. As a kid you acted out the game in your backyard as it was being played.
    We also lived near Nebraska Wesleyan University so every Friday night you could hear the roar of the crowd flowing across the night. All those voices. Powerful stuff!
    Even today, on some Fall days here on the East Coast, there is that same Nebraska crispness in the air and you say out loud to no one in particular: “Football Weather.”

  12. Oh memory lane ……….
    M*A*S*H
    One Flew over a Cuckoos Nest
    Rollerball
    A Clockwork Orange
    James Bond Films
    Blazing Saddles
    Apocalypse Now
    The Deer Hunter
    The Day of the Jackal
    The French Connection
    I could go on forever ……………….. wistful sigh

  13. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
    David W. Boles says:

    Oh, wow, Nicola! You’re right on it! What great movies!
    There was a certain realism in the 70’s movies that was quite pleasing. You could see how the world looked back then and the experience was recorded in situ and then locked in a memory box.
    The movies of the 80’s and 90’s were more escapist entertainment where realism was thrown out for fantasy, surreal action and CGI.

  14. Hmmm…interesting differences based on where and how one grew up. The post-Vietnam ’70s weren’t my favorite time at all. Many of my friends were dealing with the loss of their fathers, or dealing with fathers returned them disabled. Many of those men were friends of my family so it affected me as well.
    Add a general depression and disillusionment amoung the military (My family’s occupation) and it made for a “less than golden” time for me.
    The television and movies of that era wer GROOVIN’ though 🙂

  15. The 10’s will probably be as miserable for the military families as the 70’s were for you and yours, jonolon.
    For me the 70’s were the last remaining moments of a golden era in individual entertaining much like the 50’s indicated the end of the Golden Age of group television and theatre efforts.
    The 80’s were disco, the 90’s were boy bands and now everyone is a star and famous without an ounce of training or aesthetic.

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