One task I give my amateur Playwriting students is to have them write a 60-second play in Two Acts using the Three Act structure.  That means you have around 30 seconds to set up the plot conflict points, 20 seconds to explode the conflict and 10 seconds to bring around a catharsis and denouement. 


A Playwright is a “Play Builder” — and that means you are a craftsman and not an artist.  Your job is to create structure and a frame first as you plot your drama.

Students always balk at the time limit.  They want the freedom to explore and write as they wish without any conditions or boundaries.

I teach them that the discipline of writing a 60-second play — and then performing it! — will make them better writers because they will have to be economical, smart, and to trust their gut.

It can be just as hard to write a 60-second play as a 90-minute play because the terms and conditions are absolutely the same:  Drama is Conflict.

Learning how to sustain the conflict over arcs of crisscrossing time is what measures the mature playwright’s rite against the amateur wrong.

5 Comments

  1. Kathakali Chatterjee – Hyderabad, India – Professionally, I have an interesting concoction of experience -- from entertainment industry to retailing to executive education -- the journey is still on. When I don't work, I love to travel, read, listen to music and watch movies.
    kathakali.chatterjee says:

    Ok, I surrender.
    I think this would be the most challenging task I have ever faced. I was trying to come up with a 60-second play for last one hour…without success.
    Though I don’t know much about playwriting technique but I just trusted my sense…..the outcome was either “one act”, or the plot got longer or the dialogues were so short that it sounded like a rapid-fire–rat-tat-tat-tat!
    Congratulations to your students who could come up with it!

  2. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
    Gordon Davidescu says:

    You’d think this would be somewhere on Youtube but I can’t find any sixty second plays on there. :/ I like the idea of it.

  3. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
    David W. Boles says:

    It takes a semester of training to be able to write an effective 60-second play. It is not an easy thing to do right, but when it works, it’s a wowee.

  4. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
    David W. Boles says:

    I’m glad there are no 60-second plays on YouTube because they would not be the sort of project I teach. The parameters are very specific.

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