2018 Historic Collection 1959 Les Paul Standard

I love a Gibson Custom Shop Les Paul guitar. The heavy guitar feels right in my hands. The strings vibration is nothing like any other guitar I’ve played. For the past decade, or so, I’ve collected four Les Pauls, and I reviewed two of them for you here: My valued ’57 Les Paul VOS and my beloved 56′ Goldtop.

In the image below, you can see all four of my Les Pauls, and the newest one, on the front left, is my 2018 Historic Collection 1959 Les Paul Standard “Dark Bourbon Fade” just purchased from Wildwood Guitars in Louisville, Colorado — and on the front right, is the first Les Paul Standard “Iced Tea Burst” I purchased back in 2008.

I find it wildly fascinating that the two guitars, built a decade apart from each other, so closely resemble each other, while also being alarmingly different in distinctive, yet charming, ways. 2008 was the first wacky year for “The New” Les Paul Standard that included “weight relief” holes carved out of the body, an asymmetrical neck and locking tuners. My new Les Paul is part of the Gibson Custom Shop Historic Collection, and it arrived yesterday, fresh from Wildwood.

Continue reading → 2018 Historic Collection 1959 Les Paul Standard

Picking the Right Jazz Guitar

As an amateur Jazz guitar player, I am often asked about the best guitar to buy for playing Jazz.  That is a question I have wrestled with often, and the answer has come to cost me a lot of money and sweat, but I do feel prepared today to answer that inquiry for you in full.

Continue reading → Picking the Right Jazz Guitar

2008 Gibson Les Paul Standard Review

There are few things in life that can bring you instant pleasure between your fingertips.  One of those absolutes is writing, the other is playing music.  After a two decade wait, I am now the proud owner of a 2008 Gibson Les Paul Standard guitar with the sweet “Iced Tea” finish.

Continue reading → 2008 Gibson Les Paul Standard Review

Joe Bonamassa is Back in the Dust Bowl

Joe Bonamassa is back, baby!  We were so thoroughly disappointed in his last album — Black Country Communion — because that effort was so un-Joe-like in execution and expectation and style and tone, but today, Joe sets everything right again with the just-dropped release of: Dust Bowl.

Continue reading → Joe Bonamassa is Back in the Dust Bowl

Gibson Brite Wires Review

My D’Addario strings review is one of the most popular articles here on BolesBlues.com, so I decided to crack open my Anvil flightcase and share more of my guitar strings experiences with you.  Today, we’ll take a look at Gibson Brite Wires.  These strings are installed by default on all new Gibson Les Paul guitars.  When your Les Paul Standard is the guitar headstock shown on the Brite Wires packaging, you begin to get the idea that Gibson especially wants you to use these strings on that guitar.

Continue reading → Gibson Brite Wires Review

Real Guitar or Toy?

Misa Digital announced a new “guitar” this week that is more computer than guitar.  Instead of frets and strings, you have buttons and a touch-sensitive panel.  Instead of Bending the Soul of The Blues, you get to Press the Electrosynchrisity of Midi.

Continue reading → Real Guitar or Toy?

The D'Addario EXL115 Strings Review

After throwing on a set of Gretsch 11-49 strings on my Gretsch G5120, I decided to get my hands on some D’Addario EXL 115 strings for “Blues/Jazz Rock” and at .011, .014, .018, .028, .038 and .049 they’re quite a hefty string gauge and harder to bend than the Super Slinky set o’ nines I’ve been using from Ernie Ball.  I bought an EXL115 tenner pack because you get such a greater value buying in bulk and the price drops to around $3.00USD a set.

Continue reading → The D'Addario EXL115 Strings Review