Welcome, once again, to my ongoing Strings Saga: Yes, I’ve Gone Back to Elevens (And, “No, We Have No Bananas)!  Yes, I know.  This is like the 20th time you’ve read a strings review from me or found out that, once again, I had changed my mind about my Favorite Strings Ever.  Welp,   today is another day, and here’s another dollar:  I’m back to .011-.049 strings — and this time — I’m staying!  I think.

You can blame my recantation back to Elevens on Gregor Hilden from GregsGuitars on YouTube.  When you visit Greg’s YouTube page, he provides information about how he creates the incredible sounds from his guitars.  Greg plays Darco Elevens:

Darco is the Martin Guitar brand for electric strings, and they’re cheap as chips.

I still have a stack of D’Addario EXL115s hanging around, but I cannot wait to try on some Darco strings.  I also think the .011-.049 version of the Gibson Vintage Reissue strings will be something I will like a lot.  We’ll see.

I installed the D’Addario EXL115s on my 2008 Gibson Les Paul Standard, my Gilmour Black Strat, my Clapton Custom Strat, and my ’57 Gibson Les Paul Custom VOS Black Beauty with three pickups.

All those guitars sound better and sharper with the heavier strings gauge installed.  I can really feel the neck vibrating in my left hand when I play.  The D’Addarios are a little bright for my taste, and I am hoping they will mellow a bit with age.

I had to make a few guitar adjustments for the EXL115s.  First, I installed the strings, properly stretched them, brought them into tune, and then let them sit on the guitar for a day or two to allow the new, higher, tension to settle into the wood.  Then I re-tuned and played off my fingertips!

After playing a bit, I realized the added tension of the higher gauge strings — I’d been using D’Addario EXL110s on all the guitars — raised my strings action a bit too high for my liking, so I did a setup, lowered the action and tweaked the intonation on all the guitars just a smidge.  Re-tuned.  Played my hands down to the bone!  Perfect!

The larger sound is there.  The chord vibrations last longer.  Individual note sustain is incredible.  The strings stay in tune so much better.  I’m no Gregor Hilden, but I know that by moving up to Elevens, I have improved my sound, tone and playability in every way.

Long live Elevens!

9 Comments

  1. I would like to listen to some of your music so I can choose which I would like to buy..Thank You, Glenda PS.. new to net so I am not too sure this is correct..lol

    1. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
      David W. Boles says:

      Hi Glenda!

      It is so super to have you here in the blog proper to share your great comments! I love your Facebook comments, but having you here exposes your great thoughts to the wider world!

      I have only been playing guitar for about a year — so I am a terrible player, but I enjoy playing. If I ever get good enough to create a CD, you will have the first signed copy!

      For now… I just celebrate The Blues and music in general here and I share what I musically learn along the way.

  2. ANNE – I live and teach on the upper West Coast of the United States. My interests are Philosophy, English, and Social Communication.
    anne says:

    Fun story, David. Because Gregor uses those strings, you use those strings? What am I missing?

    1. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
      David W. Boles says:

      Hi Anne —

      Yes and no. Smile! Yes, I have tried 11s on my own in the past — and switched back to 10s. Being inspired by Greg, and his 11s, yes, gave me the necessary bravery to make a go of it again with a more complete guitar setup manipulation to get the strings to take better to the guitar. No, I didn’t change because I’m trying to sound like Greg. Yes, I made the switch because I am always searching for “that sound” I hear in my head. My next article — coming up soon — about my ’57 Les Paul and the truss rod… might explain more in a bit.

  3. Pingback: How to Salvage a $5,000 Gibson Les Paul Custom Black Beauty Guitar with a Radical Truss Rod Adjustment | Boles Blues
    1. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
      David W. Boles says:

      Ha! Absolutely, Gordon! If I ever record something, I’ll put it out on vinyl, too. I wonder how easy that is to do, though, as an independent recording producer? Are there minimum runs required? If you’re all digital, you can just record and release and let the buyer burn their own CD and such. Vinyl does add a layer of complication.

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