Today, Janna and I decided to watch Iron Man 2 today using Comcast/Xfinity’s On Demand Pay Per View service.  We spent $6.00USD and we were able to watch a new, streaming, HD movie that was Closed Captioned — so Janna can joy the show — and boy, did we get a censored earful!

Whiplash!

Iron Man 2 is a ridiculously bad movie.  We root more for Bad Guy Mickey Rourke than we do for Good Guy Robert Downey, Jr. — and that is the dramatic death knell for a SuperHero movie franchise.

I first noticed something wasn’t right in the scene early in the movie when Robert Downey, Jr. was visiting Mickey Rourke in his holding cell.  Robert says something in the Closed Captions about Mickey selling his Whiplash device “to the North Koreans or Iran or on the Black Market” — but the spoken dialogue only said “Black Market.”  The references to North Korea and Iran were missing from the spoken word.

I thought that strange — I read the Closed Captions and also listen to movies and television shows — just because my eye can’t leave the Closed Captions alone and, for a moment, I thought I was hearing things, and so I wrote off the missing references to North Korea and Iran as a misread anomaly.

Then, a few scenes later, when Mickey has a sit-down dinner with Sam Rockwell in the airplane hangar, we had another strange incongruity with the Closed Captions and the spoken dialogue.  Sam asks Mickey, in the Closed Captions, if he wants his bird actually picked up — “in Russia” — but the spoken word “Russia” is scrambled, as if pronounced backward, to be heard as some sort of incomprehensible and burped: “Aissur.”

I knew then that something was amiss in the movie.  There was a politically correct hacking up of the film’s dialogue to remove definition and tone and it was a sloppily performed bludgeoning.  I decided to take notes to mark, on-the-record, all the political censorings of the dialogue from a terrible movie that doesn’t deserve half a turn of anyone’s attention, let alone a dialogue splicing done with a hacksaw.

In the next evidence of censorship, Sam Rockwell, in his Queens laboratory, once again makes reference, in the Closed Captions, to the bird being — “from Russia” — but the spoken dialogue gives us the messed-up backwardly burped pronunciation that means absolutely nothing.  That was especially funny because Mickey Rourke spent the entire movie speaking in a heavy, and deliberate, Russian accent.

When Samuel L. Jackson and Robert Downey, Jr. are talking on the beach, “Siberia” is clearly seen in the Closed Captions, but it was “pronounced” on screen as a mumbled and mangled, unrecognizable, mess.

When Sam Rockwell is furious Mickey Rourke isn’t getting his work done, he instructs his goons to take Mickey’s two pillows, boots and his bird from “Russia” — in the Closed Captions — but we hear a backward-edited no place voiced instead.

Finally, when it is discovered Mickey’s drones are programmed in a unique language, and the team cannot decipher the code, Sam yells — in the Closed Captions — “Try Russiaaaaaaaaan!  TRY RUSSIAAAAAAAAAAAAAAN!”  The spoken version of “Russiaaaaaaaaaaaaaan!” is, of course, the backward stuff that gut-busting hilarity is made of on the big, HD, screen.

I have no idea who ordered the political censorship of Iron Man 2 — or what the point of it was — but it was a job lousy done; and if you need to needlessly censor something, you should do it discreetly and quietly, and with a bit of charm, and not chance mockery.  Above all, you need to make sure you censor the Closed Captions, too, just to ensure the text is just as ridiculously ruined as the spoken word.

16 Comments

  1. Ah, wife, two of the grand kids and I just finished watching Iron Man 2 On Demand Comcast/Xfinity.

    I thought Sam Rockwell shouted “Try Russian”, maybe I need to watch that part again. Didn’t enjoy this movie as much as the first one.

    1. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
      David W. Boles says:

      Hi Mik!

      It’s great to have you with us here on UnitedStage.com! We’ll get you cleared yet on all 13 network blogs! SMILE!

      Your quote sounds right, Mik. I was taking notes in the dark, and in our area, trying to rewind an On Demand movie from Comcast/Xfinity can lead to bad things happening — like having to re-order the movie — and since Janna wasn’t as fascinated by this topic as I was, I was left to scribble in the dark during one viewing and then try to decipher my scrawlings later in the light of night.

      Why start a SuperHero movie with an uninteresting and crabby lead character? Ridiculous! Gweneth Paltrow was wasted and John Favreau casting himself as Happy the Driver was just bad form. If you direct a movie and you must appear in it — make it a silent cameo, not a horribly acted character with actual lines of over-acted dialogue. Rockwell’s ad-libbing was mind-numblingly awful. The only spark in the movie was Mickey.

      1. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
        David W. Boles says:

        Good question, Felix. The censorship is so bad it feels like somebody did it under protest to make a point.

  2. Does it give any notification as to what company created the subtitles – I wonder whose interest they are making those changes in? I don’t agree with censorship via subtitles or closed captioning one bit.

    1. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
      David W. Boles says:

      The Closed Captions were not censored. The Closed Captions provided the clues that the dialogue was censored.

  3. How disappointing. Looking online it seems like a lot of people have this issue as well — particularly in Virginia, from the looks of it. How rude of them to censor the film.

    1. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
      David W. Boles says:

      I wonder who is doing this censoring, Gordon? Is it Comcast? I can’t imagine Paramount caring enough to censor this for On Demand only. I wonder if the DVDs are also similarly censored? Who complained about the deleted references?

        1. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
          David W. Boles says:

          How odd! I wonder how this censorship made its way into the secondary and tertiary markets? Will there be a special DVD edition later with the mangled audio restored?

  4. I’ve just watched this movie through Sky player in the UK, Russia/Russian is also censored as well as Iran, North Korea and Siberia being muted.

    1. David Boles – New York City – David Boles was born in Nebraska and holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University in the City of New York. He is an author, dramatist, editor, publisher, and teacher who writes across the live stage, print, radio, television, film, and the web. With more than 50 books in print, David continues to write 2MM words a year and has authored over 25K articles. He is a member of the Dramatists Guild, the Authors Guild, and PEN America, and founded The United Stage advocacy platform on the principle that playwrights have a duty to direct their own work. Read the Prairie Voice Archive at Boles.com | Buy his books at David Boles Books Writing & Publishing at BolesBooks.com | Study with Script Professor at ScriptProfessor.com | Touch American Sign Language mastery at Hardcore ASL at HardcoreASL.com | Explore the Human Meme podcast at HumanMeme.com | Train with Boles Bells at BolesBells.com.
      David W. Boles says:

      Fascinating! Thanks for the report from the field, Nicholas!

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