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Preplay: The Courtroom in the Wings

The news of my removal from my own show came from the producer. I had obtained the rights, signed us to a first-class theatrical option, and written the book and lyrics, all of it inside the year the rights contract granted to us. The director hired to stage the all-or-nothing reading was not my choice, and he was friends with my collaborator. After the failed previews, I was unceremoniously let go. When I asked my composer collaborator why this had happened, the director called me instead, and said that nobody wanted to talk to me. I had no choice but to sever the show, and my attorney fought to get me paid, credit on show. Everyone stonewalled him as well. That is the whole record, at the width the print ruling allows, because the identifying details of the production and the collaboration stay blurred in print for the privacy of the living, and the blur is logged in the specimen record beside its telling.

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The Paper Scalpel

In 2022, after years of court fights, Donna Langan became the first person in federal custody ever to receive gender confirmation surgery. The Bureau of Prisons directory listed her as female. In February 2025, three weeks into the new administration, she was notified that the system holding her was moving her to a men’s facility. Her body had changed years before, under lawful medical care ordered through the government’s own clinical process. What changed in 2025 was a signature in Washington, and the signature was enough.

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The Song Arrives Before the Truck

Before you saw anything, you heard it. Three streets over, thinned by distance and bent around the corners of houses, a music box the size of a paperback was broadcasting through a horn speaker bolted to a roof, and every child on the block lifted like a field of prairie dogs. The ice cream truck is the only store in American life that hunts its customers, and its weapon is a song. I grew up inside that ambush on a grid of flat streets in Lincoln, Nebraska, where sound carried forever, and I live now beside another version of it on the sidewalks of New York, where the song obeys different laws, sells a different menu, and means something different to the children chasing it. One machine, two rituals, and the split between them is the story.

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The Great Memory Robbery

For forty years, the computer business kept one promise better than any industry has ever kept any promise: memory got cheaper. Every year brought more bits for fewer dollars, so reliably that the whole culture of computing leaned on the assumption. Software bloated because RAM would cost less next year. Photographs went uncompressed because storage would cost less next year. Then, late in 2025, the promise snapped. A 32-gigabyte kit of DDR5 desktop memory, the sensible middle of the market, sold for under ninety dollars in early 2025. By December, listings touched five hundred. By the second of September, 2026, the builders’ forums had settled on 375 to 400 dollars as the going rate, and the daily trackers showed the price still climbing this week, up ten percent in seven days. One index of the broad market moved from 445 percent above its old baseline to 486 percent in a single month this summer. The entire digital world has been repriced, and the repricing took about ten months.

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The Man Burns on Schedule

At the summer solstice of 1986, two San Francisco men, Larry Harvey and Jerry James, dragged an eight-foot wooden figure down the sand at Baker Beach, doused it, and set it on fire. A few dozen strangers came up the beach toward the light. Somebody played a song. By Harvey’s own retelling, a woman ran forward and held the burning figure’s hand. There was no gate, no ticket, no name on anything, no plan for a second year. The fire was the entire production, free to attend, free to leave, over when the embers said so. Every question anyone now asks about Burning Man is a question about the distance from that evening.

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The Viking Funeral and the Us of Us

On the last Saturday of August 2019, in a valley that had already lost the assembly plant and the regional medical center, the daily newspaper of Mahoning County, Ohio, printed its final edition. The Vindicator was a hundred and fifty years old. It had celebrated its sesquicentennial the week before it died. The announcement had come on June 28, in a letter signed by the publisher and the general manager, members of the family that had owned the paper since 1887, and the record of the letter is exact about the cause: the paper was hemorrhaging money, the family had looked for a buyer, and there was none. The letter’s close is in the record too. “It is with broken hearts that we say goodbye and a final thank you.”

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The Mercy of Forgetting: The Story Leads the Telling, and Perfect Memory Is the Enemy of Inspiration

At a dinner table, the worst storyteller is often the person with the best memory. He begins with the route to the restaurant, the trouble finding parking, the waiter’s name, the table beside the kitchen, the appetizer nobody liked, and the exact minute when rain began ticking against the window. Twenty minutes later, he has not reached the thing that made the evening worth recounting. He is not lying. His defect is more serious. He has not decided what happened. Every remembered detail has presented itself for admission, and he lacks a law of relevance. The salt cellar enjoys the same narrative standing as the marriage proposal. The price of the wine competes with the sentence that ended a friendship. Accuracy has occupied the table, ordered dessert, and refused to leave. The teller possesses the evening as an archive, but not yet as a story.

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