No One Dies Lying

On the twenty-second of May, 1929, at Fort Riley, Kansas, a woman named Zenana Shepard sent her nurse to a closet for a bottle of bootleg whiskey. She said the liquor had a strange smell and a strange taste, and she asked whether enough remained in the bottle to test it for poison. Then she said the sentence that would outlive her by four years and travel all the way to the Supreme Court of the United States: “Dr. Shepard has poisoned me.” The doctor was her husband, Charles A. Shepard, a major in the Army medical corps, and the government would later argue he had salted that whiskey with bichloride of mercury because he loved a woman named Grace Brandon and his wife declined to divorce him. Zenana Shepard died on the fifteenth of June. Her husband was convicted of her murder, and her sentence, the spoken one, did much of the convicting.

Continue reading → No One Dies Lying

There, But Not There: The Phantom DNA Effect and the Physics of Absence

A viral video promises a ghost in the machine. The real ghosts of science are stranger, and they had to earn the name. A reader sent me a short video this week with the kind of claim that arrives already glowing. A Russian scientist, the narrator says, shone laser light through a sealed vacuum chamber. Empty, the light scattered at random. Drop in a sample of DNA, and the photons arranged themselves into the shape of a double helix, as if the molecule had taught the light how to hold a form. Then comes the part that makes people forward the video to friends. The scientist removed the DNA, disturbed nothing else, and shone the light again. The helix pattern was still there. The molecule had left a ghost in the empty chamber, an imprint pressed into the quantum field. The narrator calls it the DNA phantom effect and lets the word “amazing” do the rest.

Continue reading → There, But Not There: The Phantom DNA Effect and the Physics of Absence

Getting the Flock Out of Ord, Nebraska

The county seat of my boyhood summers just voted, five to nothing, to pull its surveillance cameras off the poles, the first town in Nebraska to do it. The reasons cut deeper than the invoice. Ord, Nebraska sits eleven miles up the North Loup River valley from the village of North Loup, where I spent the summers of my boyhood on my grandfather’s place, and in the mental geography of a ten-year-old those eleven miles separated the known world from its capital. North Loup had a few hundred souls, a grain elevator, and Popcorn Days. Ord had the Valley County courthouse with a square built around it, implement lots, storefront commerce enough to dazzle a village kid, and a radio station whose call letters spell the valley itself: K-N-L-V, North Loup Valley, on the air at 1060 since 1965 with farm markets in the morning and high school ball at night. When my grandfather’s rooftop antenna strained for television it caught one signal, 10/11 out of Lincoln, and that was the extent of the visible world. Ord was “town.” You washed up a little before going.

Continue reading → Getting the Flock Out of Ord, Nebraska

The Moon Takes the Bow: The Longest Fight in the Sky, Scored on Love, Fear, Respect, and Attention

Two fighters have been circling each other since before anyone kept records, and the purse has never changed hands: the human gaze. In one corner burns a furnace so vast that something like a million Earths could rattle around inside it, the engine behind every green leaf and every heartbeat on this planet. In the other corner floats a charcoal-colored rock, airless and dead, throwing back about twelve percent of the light that hits it. On paper the match is a slaughter. In practice the rock has been taking rounds for ten thousand years, and the strangest fact on the whole card is a matter of scheduling, since only one of these two shows up for both shifts.

Continue reading → The Moon Takes the Bow: The Longest Fight in the Sky, Scored on Love, Fear, Respect, and Attention

John Fetterman Punched Us in the Mouth

On May 10, 2022, I published an article on this page under the headline “John Fetterman Will Punch You in the Mouth!” I meant it as tribute. I called him “what a Democrat used to be,” a man “of the land, against the elite power, for the common good,” and I welcomed him into my invented fraternity of “Big Uglies,” the large, plain, unpressed men who do the country’s heavy carrying. The year before, on my Human Meme podcast, in an episode called “The Great White Bridge as Throughline,” I had floated him as a future Democratic President, with Keisha Lance Bottoms standing as his second. I believed the hoodie. I believed the shorts, the goatee, the 6’8″ frame, the tattooed forearms, the whole costume of the steel-town avenger who, I assured you, “suffers no fools.” Four years later I am here to take it back, in public, at length, because the recantation is owed, and because the autopsy of my error teaches more than the error did.

Continue reading → John Fetterman Punched Us in the Mouth

Fourteen Paintings for No One: The Most Somber Art Ever Made

Sad art is everywhere, and it comes cheap. Somber art is rare, because somber means sorrow that keeps its shape after the tears dry, sorrow with gravity, no laugh track, no lifeline. Ask which art is the most somber of all and the question sets a brutal standard: the winner must be born of grief, must depict grief, must refuse every exit from grief, and must offer no joy and no gesture of human harmony anywhere in its making or its reception. That last clause is the killer. Art is a social act before it is anything else. A song wants an ear. The play wants a house. Every poem wants a voice to carry it. Harmony rides along in the address itself, before a single consoling note gets played, and so nearly every candidate for the darkest art in the world fails on delivery, whatever horrors it contains.

Continue reading → Fourteen Paintings for No One: The Most Somber Art Ever Made

Swimming the Author

England tested witches with water. The suspect was bound, right thumb to left toe, looped to a rope, and lowered into the village pond. Pure water was believed to refuse the devil’s servant, so a body that floated was guilty and a body that sank was innocent, and the innocent were hauled up half-drowned to receive the town’s apology. The procedure was called swimming a witch, and its genius was architectural: it could only convict. Whatever the water did, the crowd on the bank went home with the verdict it had carried down to the shore. Four centuries on, the pond fits in a browser tab. Paste the chapter. Click the button. Let the water decide.

Continue reading → Swimming the Author