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David Boles, Blogs

Founded 1983: Liberal Mindset; Conservative Morality

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Archives

  • The Late Edit: How Belief Turns Revision Into Revelation
  • Two Hundred Fifty Years of What, and What For?
  • The Oldest Ceremony in the World
  • The Confederate Question Never Closed
  • One Electron, Threaded Through Time
  • Caitlin Clark: Open Season on the Golden Goose
  • On Synalosis and the Second Wall
  • The Mirror at the Bottom of the Telescope
  • Twenty Billion Scans a Month: Have We Already Lost the Farm?
  • The Silo and the Demolition Crew
  • Honest Opacity
  • The Angle of Attack: What a Hunting Pack Knows About Geometry and What a Machine is Learning to do with It.
  • The Goldfish Never Said That
  • The Magnificent Loser: The Book I Wrote to Answer Two Words in Red Ink
  • Take Your Children Offline NOW: Twenty-One Years Later
  • Make the Decision Right: A 1987 Aphorism Against the Age of the Open Tab
  • The Escape From Politics
  • Discrimination Day: How a Classroom Stunt Trained Children to Obey and Called It Empathy
  • One Eighth of an Inch: Julian Jaynes, the Bicameral Mind, and the Bandwidth of God
  • The Third Casket: How Shakespeare Taught Us to Choose the Thing We Cannot Refuse
  • The Rented Crowd: Nero’s Five Thousand, the Paris Claque, and the Box That Laughed for America
  • One Thirty Over Eighty: How America Lowered the Hypertension Line While Europe Held Steady
  • Always Open, Never Empty
  • The Old Fears, Faster
  • The Off Switch: When Money Becomes Permission
  • The Money That Never Leaves the Room: How AI’s Circular Financing Revived a Warning Richard Cantillon Issued Three Hundred Years Ago
  • Go On Singing, But Sign Your Name: Orson Welles, the Unsigned Cathedral, and the Most Seductive Lie in “F for Fake”
  • Against the Soul of Its Training: Claude Answers for Minab
  • Arm in Arm with Chance
  • The Unfathered: A Short Story for a Long World
  • What the Lemmings Could Not Do: On Suicide, Cognition, and the Mortal Imagination
  • The Vacuum Where the Evidence Should Be
  • The Glass People: The Materials of Madness, from the Glass King to the Simulation
  • The Number on the Wall: Why Physicists Call 137 Magic
  • The Book I Could Not Afford to Get Wrong
  • The Listener Will See You Now
  • Stop Applauding the Forced Apology
  • Backstage Collapsed: Universal Recording and the Architecture of Courtship
  • The Lack of the Ack, Sixteen Years On
  • What the Dramatist Knows About Monsters
  • Magnifica Humanitas: The Pope Writes Like the Machine He Fears
  • Has Technology Ever Reduced Labor?
  • The Golden Age of Deafness: 1991, Tanya Towers, and the Long Erosion After
  • The Wealth Defense Industry and the Working-Class Republic: What Equity Means Here
  • The Corner Store at the End of the World
  • Notes on Tomorrow as Tribute
  • The Senator Who Used to Be Cory Booker
  • Stored Sun: What a Book Actually Is
  • Still Eating Your Patients
  • The Box You Cannot Check
  • The Conditional Button
  • The Dishonest Button
  • The Honest Button
  • The Placebo Button
  • Reading the Lattice Without the Legend: Grinberg, Syntergy, and the Argument for Real Entry
  • Hands as the Language of Thought: Correcting a Kant Attribution
  • Ischia is Burning: The Novel I Have Been Writing for Thirty-Six Years
  • Where Are the Deaf Children at Aladdin?
  • The Architecture of Abandonment: What the Billionaire Bunker Tells Us About the Coming Century
  • Eighteen Years Under One Banner: The BolesBlogs Constellation at Thirty
  • The Conditions Were Not the Ones I Would Have Chosen
  • The Consciousness Trilogy: Reading Three Wagers on the Question We Cannot Settle
  • The Dissociated Universe: Bernardo Kastrup’s Analytic Idealism and the Mind That Contains the World
  • Consciousness Explained Away: Daniel Dennett’s Illusionism and the Theory That Spends Its Own Foundation
  • The Inwardness of Things: McGilchrist, Panpsychism, and the Question We Cannot Settle
  • The Cognitive Bargain Has Ended: A Generation Born Without Comparative Advantage
  • The Charge and the Curriculum: How the Dark Arts Replaced Black Magic
  • Sontag’s Two Doors, Campbell’s Underworld
  • The States That Will Not Be Commanded
  • What the First Photographer Knew
  • An Answer to Auden: The Truth About Love, 1937 to 2026
  • When the Radiologist Becomes the Expense
  • Preventative Medicine, or the Manufacture of Patients?
  • The Station Across Town: A Lincoln Boyhood, the Federation I Did Not Watch, and the Second Half of a Television Diptych
  • The Silence Camus Refused to Domesticate: Hazel Barnes, The Myth of Sisyphus, and the Cost of a Sympathetic Misreading
  • The Area Code Comes Home
  • My Language Is Not English: A Deaf Educator Answers JB Mitchell
  • Still YUkon
  • Now I Become Em-Dash Triple Anaphora, Destroyer of Words
  • A New Old Musical, Now Available in Book Form
  • Below the Mesh
  • The Avant-Garde Never Left: Robert Hughes Described the Revolution and Then Declared It Over
  • The Claim I Filed in 2006
  • The Finite Lens: How a Fragile Life Gives Shape to an Infinite Universe
  • Outline of an Approach to Christian Apologetics
  • Seeing Around Corners
  • The Generative Excess: Soul, Dream, and Idea
  • Carceral Nation: Twenty Years from Blog Post to Book
  • The Genius of Getting It Wrong: What Hawking Teaches Us About Knowing
  • Your Three-Year-Old Already Knows the Brand Name
  • The Rental Life: What Happens When You Own Nothing and They Own You
  • The Bare Face as Radical Act
  • The Rehearsal State: When Governance Becomes Performance
  • The Canon for Sale: How Congress Handed Literature to a Homeschool Company
  • The Quiet Throat-Cutting of the American University
  • The Face on the Building: America’s Palazzo Braschi Moment
  • The Funeral of Handwriting: What We Lose When the Hand Stops Moving
  • The Borrowed Saint: The Book That Watched Me Back
  • Reheated Laughter: The Sitcom’s Long Retreat from Risk
  • The Failed City: I Wrote a Book About What We Bury

 

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  • Home
  • About David Boles, Blogs
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    • Archives
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  • David Boles
    • David Boles: Human Meme
    • David Boles Books
    • David Boles University
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    • Script Professor
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