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Creatures Interface

by Joseph Baldwin

Raccoons live in the storm sewer — this I believe
since seeing a great rat-rump near the entrance;
the whole beast almost swallowed by that concrete mouth,
suddenly a clown face flashed at me over a shoulder:
one look, then gone. Not a rat, after all!
I was reassured, for I had been all ice with the thought:
If the rats around here are this big, I’m moving!
Apprehension gone; comfort given — by a raccoon!

Life in a sewer? — or do they live in trees and only
hunt in sewers?
What is the way of raccoons, in a city,
confronting asphalt, concrete, human noise and detritus,
ears nature tuned to owls here assaulted by sirens and
horns.

Which of us, then, is the intruder?

And what did that one, for instance, think
of the sudden clown face I showed him?

Ghosts of a Summer Evening

by Joseph Baldwin

He stepped out into the warm, caressing
night, and smiles, remembering music
and slim girls in bright flimsy dresses,
smiling, sweat gleaming on their foreheads.
And then came near fainting with dismay.
It was a judgment on his life,
he feared, that such a night, beloved
of his youth, should now distress him.

Warm, warm, they had been, eight hundred
miles away and fifty years
ago! And careless of all but love songs,
blooming youthful bodies, and hope.

Fans placed here and there gave breaths
of cooling; moments were enough,
then back to the giddy heat and swirl
of dance; linkings raised hopes higher.

Hopes of what? Life to be grasped.
Each other, grasped. Promises;
only implied, but promises,
for all of that; in touch, in glance.

Promises of bright futures;
financially bright, of course; but also
immediate promise given unspoken,
then taken back, as soon as given.

The embrace frankly sexual;
but, by tacit agreement, not that
at all, only social custom,
though shared sweat drenched clothes of each.

And weren’t mothers looking on,
while scantily-clothed daughters clung
to lanky swains, to see that all
was decent, stayed within control?

Years later, why dismay? Distress?
Ah, yes. The memory of shame,
at being an imposter there.
Imposter? Yes. But, in what sense?

Why, simply that all such affairs,
cotillions, balls, “formals,” where
the bright of eye and light of foot
displayed themselves (discreetly and

by custom, but nonetheless displayed
themselves as “eligible”) had ever
been a showing of wares. And also
that one knew it was understood

accepting such hospitality
and exchanging embraces in the formal
figures of the dance meant one
shared in this eligibility,

having “something to offer,” and wasn’t
poor then, nor poor in prospects. Ah, yes:
the cruelty of the social system,
offering such delights, but only

at a price! Better not
to have come at all, as if disguised
as one of them and able, like them,
to repay the piper for the tune.

Hence, the shameful distress. In spite
of knowledge that the sweating girls
of long ago in long bright dresses
were now grandmothers; that, or dead;

and that the dance, the glitter and romance,
was all a form of commerce; dismay
persisted. The shame of being poor,
of having been poor, lasts all one’s life.

Also, the shame of having been
a pretender lasts. But, O! the glowing
girls, the music, and the dance!
Enchantment, then its own excuse.

Downpour

by Joseph Baldwin

Raindrops are exploding
into brief crystal crowns
on the glistering asphalt
outside my window,
thunder is laying down
a barrage, dullness and
sloth in nature are being
defeated, stale air and
old thoughts washed clean,
all life renewed.
— Even my own. I shall
stir, soon as the storm
has passed, and stride
about outside, ingesting
the new world; blithe,
remembering how prodigal was
the scattering of crowns.

Window: A Portion of the World

by Joseph Baldwin

I am saying goodbye now
to the scene outside the window:
certain trees, a familiar tilt of land.
Travelers through called it flat country,
but we who lived here knew
that it leans this way and that, by turns.
Witness: during the ice season, some intersections
needed sand, else you couldn’t get started
if the red light halted your car upgrade.

Well. It was nothing to see, our place,
even with its up and downs. Travelers
went through here on their way to the mountains,
forests, canyons, lakes, geysers; and (eventually)
the ocean. Only stopped among us for
gas and food.

People who lived here came only for the job.
The place was… nothing much. And
always open to the wind. You wouldn’t choose it.

No one would hymn this place; not
ungrudging hymn it. Instead, some
hymn their forbears for having
endured it and brought it under cultivation.

And this place I’m telling goodbye,
with nowhere else in particular to go.
Where would I go, if I’d not walked or worked there?

They tell of prison librarians, who,
having built the collection, and having
found a function, regret being paroled.

And we who worked in ampler prisons,
on tasks we hardly chose at will, but
fitted into, and had our orbits:
home-to-work, home-to-church,
home-to-the-movies, to the stadium,
to Chinese food, to… in short, to
the limits of this wider prison,
saw the travelers going through, and
saw it with their eyes, and knew it.
It was… nothing much.

But what our keepers in this prison
never figured, never counted on — if ever
they thought of us who were only functions,
people you’d never hear about, people
who could be laid off in slack seasons
and never missed — what they never counted on
was this: we could love. Love
certain familiar trees, the slant
of land, buildings kept in poor
repair but still inhabitable,
where our work-benches were and
where our tools were kept.

In the slack season, they didn’t see us
come down to the old buildings, use
the keys they didn’t take back from us,
open the doors, and sit at the work-benches,
picking up the old tools one at a time,
and looking at them as if they were strange:
feeling their heft in the hand, just in case —
what? — they might be used again?
They forgot we were human and had to love
something.

And now
even that scene is outside my window
and I’m telling it goodbye.
I didn’t choose this, either.