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The Page Isn’t Dead, Your Attention Is Under Siege

Every few years we are invited to attend the same funeral. Someone declares that nobody reads anymore, that the printed page is finished, that books are an aging technology destined to become a museum object while the living culture migrates to earbuds and short video. It is a tempting story because it flatters our sense that we are witnessing a clean break with the past, a decisive turn of the wheel.

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Stop Paying Rent on Your Own Words!

Stop paying rent on your own words. For decades, writers were taught that “real” authors have representation, an agent, sometimes even a manager, as if legitimacy were a credential issued by an industry gatekeeper. That belief was formed in an older media economy: fewer publishers, fewer channels, slower production cycles, and a cultural aura around scarcity. In 2026, the belief is not merely old fashioned. It is often financially irrational, and for many authors it is the single most reliable way to give away a permanent slice of income that should remain theirs.

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The Curated Self as the New Delusion

There is a specific, modern anxiety that is difficult to name. It is not the dread of a specific event, but a low-grade, constant hum of disconnection. It’s the feeling of living in a world that is eerily frictionless, a world that reflects your own thoughts back at you with placid, unwavering agreement. It is the anxiety of a consensus of one; the quiet, digital loneliness of being the only person in your own universe.

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The Application of Imagination: Where Thought Becomes Matter

Imagination without application remains a private theater, brilliant perhaps, but ultimately sterile. The history of human achievement suggests that genius resides not in the capacity to imagine alone, but in the peculiar ability to transform mental constructs into material reality. This transformation requires something more demanding than pure creativity: it requires the discipline to translate vision into form, the patience to iterate through failure, and the courage to impose one’s internal architecture onto an indifferent world.

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This Is Not the World I Wanted to Leave for You: Reflections on Legacy, Loss, and the Future We Shape

I have been thinking a great deal lately about living and dying, and about the strange, stubborn human hunger to leave something meaningful behind. The faces of those I have known who have already passed return to me in quiet moments, and I find myself watching those who are, even now, nearing the end of their own stories. I also include my final braided prairie knot in that wondering. In the background of these thoughts runs a deeper worry, a shadow that lengthens each day: the growing political instability that presses in on the goodness of life and threatens the fragile hope we carry in our personal lives. I wonder, in darker hours, if all the labor, all the love, all the sacrifice we invest in this world will ever prove to be worth it. And then, as if called back from the edge of despair, I remember what my friend, mentor, and teacher, Dr. Howard Stein, told me as he lay dying at age 91.

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The Braided Prairie: Six Nebraskan Literary Voices on Land, Life, and Legacy

The American Great Plains have produced a literary tradition as vast and complex as the landscape itself. Nebraska, with its braided rivers and endless horizons, stands at the heart of this tradition, having shaped some of the nation’s most distinctive literary voices. From the rolling Sandhills to the fossil-rich badlands, from pioneer settlements to Native American territories, the state’s diverse geography has inspired equally diverse literary responses. This study examines six Nebraska authors who transformed their regional experiences into enduring art: Willa Cather, Mari Sandoz, John G. Neihardt, Loren Eiseley, Wright Morris, and Bess Streeter Aldrich. Each brought a unique perspective to bear on the Nebraska experience, from Cather’s lyrical immigrant sagas to Sandoz’s unflinching historical accounts, from Neihardt’s spiritual epics to Eiseley’s paleontological meditations, from Morris’s photographic existentialism to Aldrich’s domestic chronicles.

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Kamala On Men

As Kamala Harris takes the torch from Joe Biden, I am hopeful she can continue to win over those who do not believe a woman can be president. One of the major initiatives of her campaign will be the loss of autonomy for women in the reversal of Roe v. Wade. There is, however, a trap that is being set for her, and I want to bring attention to that trip wire and offer a resolution.

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