Posted on

Hands as the Language of Thought: Correcting a Kant Attribution

There is a line about hands that travels well. It reads cleanly, carries an air of philosophical dignity, and arrives in print wearing the name of Immanuel Kant. “The hand is the visible part of the brain,” runs the most common English form, or, in an older rendering, “the hand is the outer brain of man.” The phrase appears in publishing copy, in teaching materials, on Goodreads quotation pages, in popular psychology, in surgical textbooks, in neurology lectures, and in essays on sign language and gesture. It has the shape of something Kant should have said. The difficulty is that no reliable evidence supports treating it as a verified Kant statement.

Continue reading → Hands as the Language of Thought: Correcting a Kant Attribution

Posted on

Where Are the Deaf Children at Aladdin?

Yesterday I sat in the New Amsterdam Theatre for the interpreted performance of Disney’s Aladdin. The show was fine. The interpreting was fine. Neither held my attention the way the audience did. It was Scouts Day. The hearing children came dressed as princes and princesses, sashes weighed down with badges, parents fussing over phones and snacks. The aisles filled with the small chaos that always attends a children’s matinee. Within all of that, in a designated seating block to the side, sat the Deaf audience. I counted, roughly, sixty of us. The youngest among us looked sixty herself. Most of those sixty people were between sixty and eighty-five years old. A handful of hearing family members translated stage business in side conversations. Deaf children were absent from the section. Deaf teenagers, if any were present, were too few for me to identify in a careful sweep.

Continue reading → Where Are the Deaf Children at Aladdin?

Posted on

Memory in the Meme

We live in an age of disposable context. We scroll through the infinite ribbon of the glass screen, pausing only for a microsecond to register a flicker of recognition before sliding our thumb upward, condemning the moment to the digital abyss. We have been trained by the Technocrats, those right-brained architects of our algorithmic prisons, to view this behavior as consumption. They tell us we are “consuming content.” But they are wrong. When we pause on a meme, that pixelated artifact of cultural shorthand, we are not consuming. We are remembering.

Continue reading → Memory in the Meme

Posted on

Arm Angles in American Sign Language: The Textbook That Teaches What Other Textbooks Ignore

Watch any native signer and then watch an intermediate student. The difference is not in the handshapes. It is not in the facial expressions, though those matter. The difference lives in the arms. The native signer’s shoulders engage when emphasis requires it. The elbows extend and contract with meaning. The signing space expands for formal address and contracts for intimacy. The student, trained to focus on hands and face, moves through space as if the arms were merely transportation for the fingers. This is the gap that Arm Angles in American Sign Language addresses. It is the textbook we wished existed twenty years ago.

Arm Angles in American Sign Language by David Boles and Janna Sweenie

Continue reading → Arm Angles in American Sign Language: The Textbook That Teaches What Other Textbooks Ignore

Posted on

Learning Italian Lifetime Immersion Style

For the past 60 days, I have been intensively studying the Italian language. I want to learn Italian in order to better serve our ASL Opera project since 50% of the most popular operas were written in Italian (25% were written in German, and 15% were written in French). I understand modern Italian isn’t the same as “original opera Italian” — but learning something new only helps deepen the appreciation of the comprehension of the context of the original aesthetic. In this article, I will share with you some of the treasures, and techniques, I have been using to apply a greater understanding to my Italian learning.

Continue reading → Learning Italian Lifetime Immersion Style

Posted on

Will The Metropolitan Opera Allow the Deaf to Sing?

[UPDATE: September 12, 2023; our ASL Opera Project website is now live! Join us there for new videos, translation updates, and for consultation concerning the right interpretation of Opera in American Sign Language!]

[UPDATE: July 11, 2023.  Janna and I met with the Metropolitan Opera to discuss heightened ASL interpreting for their performances. The meeting was positive, forward-thinking, and hopeful! We will soon update with more information! Here’s the July 11 update!]

My delightful wife Janna Sweenie and I are big lovers of opera. Opera is the pinnacle of all the Performing Arts — Painting, Acting, Voice, Costumes, Lights and Sets — and when put together, in unison, in an exaggerated and elevated performance, the entire world glows and resonates! We have always been dismayed that opera is not often, if ever, interpreted in American Sign Language for the Deaf like all Broadway shows are interpreted. Janna and I are currently working on our “Opera Project” where she will present ASL renderings of famous opera arias. We will place those performances online as proof-of-concept. This is a challenging, but rewarding, and complex academic process of interpretation and adaptation, and implementation.

Here’s my Boles.tv live stream discussion of the Deaf singing at The Met:

Continue reading → Will The Metropolitan Opera Allow the Deaf to Sing?

Posted on

ASL and the Deaf Culture Appropriation of Apple Fitness+

I have been a big fan of Apple Fitness+. However, after completing the workouts for a several months now, I have come to the uncomfortable conclusion that Apple’s misuse of Deaf Culture — in particular, ASL — in their workouts, is a disengaging, and phony, cultural appropriation intended to falsely imply inclusion, when the real aftereffect is a complete failure of meaning. At the beginning, and at the end of almost every workout, but never during a workout, the non-Deaf, and non-ASL fluent, trainers toss in a little ASL sign — a gesture, really — like “ready” or “welcome” or “thank you” and it just comes across as clunky; a falsely sprinkled twinkle on a star. Those throwaway “ASL” signs do not fit the spoken words of the trainer, or even really the intent of the class — they’re just movements intended to appease, and impress, and to not really communicate any emotion or context. Apple uses “ASL signs” as a winking trinket without the inherent value of a cultural totem or the magic of a talisman.

Continue reading → ASL and the Deaf Culture Appropriation of Apple Fitness+

Posted on

The Shape of Water: Guillermo del Toro and the Failure to Consecrate

Guillermo del Toro’s new movie — The Shape of Water — is a high-minded movie that looks great, sounds good, but ultimately fails to consecrate the point of the story: Communication Creates Love.

There are all sorts of movie tropes packed into the The Shape of Water — but the center of the swirling is a “mute” janitor, played by Sally Hawkins, who falls in love with a sea monster because they are able to communicate using American Sign Language; and that major flaw in discovery, reason, and accessibility, will serve as the remainder of my argument why The Shape of Water, in the end, fails as a facilitation for a grander, romantic, connection of human/serpent longing.

Continue reading → The Shape of Water: Guillermo del Toro and the Failure to Consecrate

Posted on

Attention and Intention: Contextual Consequences and Cultural Confusion in Deaf West’s Spring Awakening Broadway Revival

Let’s agree on one thing: Deaf West’s excellent Broadway revival of “Spring Awakening” is a fine production currently showing at the Brooks Atkinson theatre in a limited run. The sets and lights are magnificent. The staging is right. The actors are completely superb. The effort is noble, but perhaps, imperfect in the execution of its essence, and it is in that vacuum of those slight flaws in amber that this review reflects — to make you think and wonder in preservation and ponder beyond the simple joy of watching a few Deaf actors on a live Broadway stage.

Continue reading → Attention and Intention: Contextual Consequences and Cultural Confusion in Deaf West’s Spring Awakening Broadway Revival

Posted on

For Deaf People Only: Our Latest David Boles Books Book!

After writing four books together in in 2014 alone, Janna and I are now pleased to announce our latest, and first, book published in the year 2015 — For Deaf People Only! — a brand-new David Boles Books Writing & Publishing book!

BUY NOW!

Continue reading → For Deaf People Only: Our Latest David Boles Books Book!