I wasn’t planning on writing about Carrie Underwood’s painfully wooden live performance last night in NBC’s misbegotten, and ill-fated, “dead” re-enactment of the fabulous Rodgers & Hammerstein musical, “The Sound of Music.”
All the promotional wind leading up to the live event immediately prickled senses in the wrong direction. The show was being sold as some sort of feel-good, happy children, sparkling story full of singing and wonder and dancing when, in reality, the musical is actually extremely dark and threatening and dreary.
The musical moments in “The Sound of Music” drive the frightening plot forward into a total, creeping, Nazi occupation — and it is in the artful context of that delicate balancing between whistling in the graveyard while staring death straight in the face — that made Rodgers & Hammerstein musical geniuses.
Continue reading → Carrie Underwood’s Wooden Live Performance in the Sound of Music