The Séance Court: Original Intent and the Fraud of Speaking for the Dead

Nine lawyers in black robes sit in a marble temple in Washington and commune with the dead. They ask James Madison, silent since 1836, how he feels about bump stocks. They ask a Virginia planter to rule on geofence warrants and a Boston merchant to weigh encrypted messaging, and they transcribe the answers with straight faces into the United States Reports. Every other corner of American life has a name for this ritual. When a widow pays for it in a candlelit parlor, we call it a séance and we call the medium a fraud. When five justices perform it in October Term, we call it originalism, and law schools award tenure for defending the candles.

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Attention and Intention: Contextual Consequences and Cultural Confusion in Deaf West’s Spring Awakening Broadway Revival

Let’s agree on one thing: Deaf West’s excellent Broadway revival of “Spring Awakening” is a fine production currently showing at the Brooks Atkinson theatre in a limited run. The sets and lights are magnificent. The staging is right. The actors are completely superb. The effort is noble, but perhaps, imperfect in the execution of its essence, and it is in that vacuum of those slight flaws in amber that this review reflects — to make you think and wonder in preservation and ponder beyond the simple joy of watching a few Deaf actors on a live Broadway stage.

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The Difference in Performance: Interpretation and Improvisation

When I receive my daily Google Alerts, I usually cringe when I need my name invoked in web properties beyond which I control because it usually means I’m dead again, or being accused of something that isn’t true.

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The Ridiculous Art of White Power Milk

Not too long ago, we addressed the question of whether art could be quantified. What I would like to consider is if all we need to do to consider something art is to merely apply the label art to it. Having already seen the curious art of Caleb Larsen, I thought I had seen it all when it came to art that didn’t really seem like art to me. I was ill prepared for the shock I would receive when I came across a web site created by Nate Hill called White Power Milk.

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Suspended in Concrete

by Steve Gaines

A new beginning to an old idea

what if I were gone for good
over that last far away hill into never never land
flown into the great bygone
into the that eternal world in the sky

what if I were dead?

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