At a dinner table, the worst storyteller is often the person with the best memory. He begins with the route to the restaurant, the trouble finding parking, the waiter’s name, the table beside the kitchen, the appetizer nobody liked, and the exact minute when rain began ticking against the window. Twenty minutes later, he has not reached the thing that made the evening worth recounting. He is not lying. His defect is more serious. He has not decided what happened. Every remembered detail has presented itself for admission, and he lacks a law of relevance. The salt cellar enjoys the same narrative standing as the marriage proposal. The price of the wine competes with the sentence that ended a friendship. Accuracy has occupied the table, ordered dessert, and refused to leave. The teller possesses the evening as an archive, but not yet as a story.

Continue reading → The Mercy of Forgetting: The Story Leads the Telling, and Perfect Memory Is the Enemy of Inspiration