Yes, the Deaf Just May Sing at the Metropolitan Opera!

[UPDATE: September 12, 2023; our ASL Opera Project website is now live! Join us there for new videos, translation updates, and for consultation concerning the right interpretation of Opera in American Sign Language!]

On July 11, 2023 — the anniversary of our being married for 35 years — Janna and I had the complete delight, and the absolute honor, to meet with The Metropolitan Opera to discuss our ASL Opera project intended to bring live and “High Art” American Sign Language interpretation to MetOpera productions! The meeting was positive, forward-thinking and inclusive! If you are interested in working with our High Art ASL Opera Project, or if you want more information, please Contact Us and we’ll be happy to meet you! Our ASL-Opera.com and ASLopera.com domains currently point to this article!

Continue reading → Yes, the Deaf Just May Sing at the Metropolitan Opera!

Will The Metropolitan Opera Allow the Deaf to Sing?

[UPDATE: September 12, 2023; our ASL Opera Project website is now live! Join us there for new videos, translation updates, and for consultation concerning the right interpretation of Opera in American Sign Language!]

[UPDATE: July 11, 2023.  Janna and I met with the Metropolitan Opera to discuss heightened ASL interpreting for their performances. The meeting was positive, forward-thinking, and hopeful! We will soon update with more information! Here’s the July 11 update!]

My delightful wife Janna Sweenie and I are big lovers of opera. Opera is the pinnacle of all the Performing Arts — Painting, Acting, Voice, Costumes, Lights and Sets — and when put together, in unison, in an exaggerated and elevated performance, the entire world glows and resonates! We have always been dismayed that opera is not often, if ever, interpreted in American Sign Language for the Deaf like all Broadway shows are interpreted. Janna and I are currently working on our “Opera Project” where she will present ASL renderings of famous opera arias. We will place those performances online as proof-of-concept. This is a challenging, but rewarding, and complex academic process of interpretation and adaptation, and implementation.

Here’s my Boles.tv live stream discussion of the Deaf singing at The Met:

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Attention and Intention: Contextual Consequences and Cultural Confusion in Deaf West’s Spring Awakening Broadway Revival

Let’s agree on one thing: Deaf West’s excellent Broadway revival of “Spring Awakening” is a fine production currently showing at the Brooks Atkinson theatre in a limited run. The sets and lights are magnificent. The staging is right. The actors are completely superb. The effort is noble, but perhaps, imperfect in the execution of its essence, and it is in that vacuum of those slight flaws in amber that this review reflects — to make you think and wonder in preservation and ponder beyond the simple joy of watching a few Deaf actors on a live Broadway stage.

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Columbia University in the City of New York 1931-1946

Columbia University in the City of New York was founded in 1754 as King’s College by royal charter of King George II of England. Columbia is the fifth oldest university in America and the oldest living school in the State of New York. As a graduate of Columbia, you never tire of reaching back into history to pull out instances of living and of educational memeing and of the loving of a life that remains to haunt you today — because way back when is always more perceptive and pleasing than the now and again.

I was delightfully fortunate to be able to purchase a large cache of genuine Columbia University photographs. Columbia has a certain reputation in the history of America as being a seat of unrest, and a center of the human protest against the status quo, while also trailblazing educational concepts for teaching and learning.

We begin our photographic tour in 1930 with this caption:

COMMENCEMENT EXERCISES AT COLUMBIA UNIVERSITY
New York — General view of the commencement excercises at Columbia University, showing the great assemblage of students listening to the address of president Nicholas Murray Butler of Columbia.  There were 861 diplomas and 4,895 degrees awarded during the ceremony.  More than 20,000 spectators witnessed the exercise. 6-3-30.

In you look closely, you can see a naked 115th Street from the Columbia green!  There’s no Butler library yet — named for Columbia President Nicholas Murray Butler mentioned in the caption — Butler Library would rise along the North side of 115th Street in 1931 and would be dedicated in 1934.

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Brander Matthews: Father of Dramatic Literature

Brander Matthews was one of the purist theatrical geniuses we’ve had in, and around, the intellectual American Stage.  Brander rightly believed a play only existed in performance and that the performance and the text must be evaluated separately. He was also one of the first professors at an American University — Columbia University in the City of New York starting in 1892 — to promote, and foster, the idea that Dramatic Literature was just as important a field of study as any historic cave wall painting or artistic sculpture or aesthetic structure. He believed in the power of the Playwright to form the world.

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New Boles Book: Poetics and the Dramatist

Today, we are pleased to announce the first volume in the new “Boles Books for…” series of learning precis: Poetics and the Dramatist!  This Boles Book will help both the amateur dramatist, and the seasoned professional, learn how to best use Aristotle’s Poetics to build a better dramatic piece!

BUY NOW!

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Does a Play Exist Without Performance?

There’s an old saying in some theatrical circles that a play does not exist unless and until is has been performed on a live stage in front of an audience.  You can imagine the heartache that creates for the amateur, but vigilant, Playwright who writes page after page only to have the work discounted in the end analysis by some because there is no final proof of production to validate the effort.  Is that a right and fair way to deal with a written Art in Performance?  Does the actor exist without being staged?  Does the director have a role without filling an empty space?

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