Preplay: The Courtroom in the Wings

The news of my removal from my own show came from the producer. I had obtained the rights, signed us to a first-class theatrical option, and written the book and lyrics, all of it inside the year the rights contract granted to us. The director hired to stage the all-or-nothing reading was not my choice, and he was friends with my collaborator. After the failed previews, I was unceremoniously let go. When I asked my composer collaborator why this had happened, the director called me instead, and said that nobody wanted to talk to me. I had no choice but to sever the show, and my attorney fought to get me paid, credit on show. Everyone stonewalled him as well. That is the whole record, at the width the print ruling allows, because the identifying details of the production and the collaboration stay blurred in print for the privacy of the living, and the blur is logged in the specimen record beside its telling.

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The Rehearsal State: When Governance Becomes Performance

There is a scene in every disaster movie where the official steps to the podium, adjusts the microphone, and assures the public that resources are being mobilized, plans are being activated, and the full weight of the institution is being brought to bear. The audience in the theater knows the official is lying or incompetent or both. The audience at home, watching the real version of the same press conference after the real hurricane or the real chemical spill, has no such certainty. They take the performance at face value. They go to bed believing the plan exists.

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Never Speak to the Actors!

There’s an old, weary, chestnut in the theatre — that deserves to be burned alive, eaten whole, pooped out and buried in the deep blue sea and then never spoken of again — that goes a little something like this, when directors say to Playwrights: “Never Speak to the Actors!”

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Practice Tips and Techniques from John "Jack" Malmström

If you’ve been playing a musical instrument for awhile, and you’re feeling a little stale in your practice, here are some tips that might encourage you to keep pressing forward to improve your technique.

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Stand Up if You Plan to Play the Blues

If you want to effectively play The Blues — or any style of guitar, really — you need to get off your chair, strap in your guitar, and stand up!

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