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Celebrating the Sheffield Sound

The other day I watched an incredible documentary, Made in Sheffield, that brought back many of the musical memes and memories of my reckoning youth. What I call “The Sheffield Sound” was a movement in the UK in the ’70’s and ’80’s that changed the music world with the introduction of “synthetic sounds.”

Synthesizers were given priority over the standard musical drive of a lead guitar. David Bowie said the music coming out of Sheffield was “the future of music.” Was David Bowie right? Or did the Sheffield Sound implode in vanished wishes and bitter competition? “The Human League” was the lead “sound” coming out of Sheffield, and of the two versions of the band, one didn’t make any money:

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Sheffield Hallam University

I am pleased to announce my paper, Creating Aristotelian Irrevocable Change in Tourists Touching Down at Newark Liberty International Airport, has been accepted as a part of “Tourism & Performance: Scripts, Stages and Stories” series for the 2005 Tourism Cultural Exchange Conference held at the Sheffield Hallam University School of Sport and Leisure Management, United Kingdom, 14-18 July 2005.

My paper argues every move a tourist makes through the airport is actually orchestrated and directed in an aesthetic way using Aristotle’s theory of dramatic construction: Plot, Character, Thought, Diction, Music and Spectacle.