In 1509, Desiderius Erasmus of Rotterdam, writing from the restless perch of Thomas More’s London house, composed The Praise of Folly (Moriae Encomium) in the span of roughly a week. The book was a satirical grenade lobbed at the Church, at the academy, at every strutting peacock of European intellectual life who mistook plumage for substance. Among its many surgical observations, one line has outlived them all with terrifying accuracy: “The less talent they have, the more pride, vanity, and arrogance they have. All these fools, however, find other fools to applaud them.”

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