There’s nothing worse than listening to a performance filled with dialogue that does not ring true and does not feel and sound authentic.  The worse dialogue offenders in the history of drama are writers on television process shows like “CSI” and “House” and “Criminal Minds” where lots of technical dialogue is supposed to promote authenticity and professionalism to a scene when all that sort of preciousness really provides is ear boredom.

Continue reading → How to Write Stiff and Really Fake Dialogue