The God Arrives Early: Rod Serling and the Endings That Paid Their Bills

The series died the year before I was born, and it hardly mattered, because the reruns never stopped. On summer nights in Nebraska in the early seventies, on the only signal that reached my grandfather’s corner of the state, a man in a narrow black suit would step into the frame and speak to me as if the two of us had an appointment. He promised a fifth dimension, called it “the middle ground between light and shadow,” and stood aside to let the story convict somebody. As a boy I thought I was watching monsters. The show was running trials.

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The Twilight Zone Effect and Tricksy Audience Endings

Amateur authors love to write dramatic red herrings and surprise endings that come out of nowhere because they enjoy fooling the audience into thinking one way and then taking them another way — even if it doesn’t make sense.  I call these writer tricks — “The Twilight Zone Effect” — because in that famous television series, the ending of each show was always “unexpected” and “scary” and, perhaps, more often than not, “dreamlike” where a mere “waking up” nullified everything that happened.

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