Caitlin Clark: Open Season on the Golden Goose

Caitlin Clark gave the WNBA the audience it spent thirty years failing to find. On the night of June 24 it gave her a fist to the throat and a step over her body, and the officials paid to watch the floor saw nothing. Here is the case for her leaving. Begin with the tape, because the tape is where excuses go to die. Phoenix led Indiana late in the first half at Gainbridge Fieldhouse, a building that exists in its current sold-out form for one reason, and that reason was lying on the hardwood. Caitlin Clark had driven the lane, absorbed contact from Lexi Held, and gone down onto her side. The ball came loose. Held, DeWanna Bonner, and Alyssa Thomas dove after it and landed in a pile on top of her. Then Thomas, with Clark pinned beneath her, drove a closed fist into Clark’s throat, pushed herself upright, and stepped over the body of the best thing to happen to women’s basketball in forty years. One account of the scramble puts Thomas’s knee into Clark’s groin on the way down. Three referees stood within a few yards of all of it and called nothing.

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Manny Strikes Out

Drugs are bad business for baseball.  Manny Ramirez announced his retirement from the game last week because he didn’t want to serve a 100-game suspension as a second time offender of Major League Baseball‘s drug policy.

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Suspension of Disbelief

The “Suspension of Disbelief” is a vital notion in any live stage performance.  We know we are sitting in a comfortable theatre in Washington, D.C. watching actors — and not in a gloomy, dark, forest in Germany watching murderers in the night — and we willingly suspend reality in favor of disbelieving what our eyes and minds are telling us is not real.

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