The Quotation’s Chain of Custody

A mug sits on the desk with Marilyn Monroe’s face under the sentence Laurel Thatcher Ulrich wrote: “Well-behaved women seldom make history.” The object is wrong at the name and prone to wording drift, and it keeps selling because the right sentiment can carry any name. The claim riding beside it has manners: why care whether the mug gives Monroe a line written by Ulrich, or whether a poster hands Voltaire a sentence built by Evelyn Beatrice Hall, so long as the line still stirs? Its appeal points to use over receipt. Its conclusion says the words have done good work in the world, and good work should settle the bill.

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Celebrating the Sheffield Sound

The other day I watched an incredible documentary, Made in Sheffield, that brought back many of the musical memes and memories of my reckoning youth. What I call “The Sheffield Sound” was a movement in the UK in the ’70’s and ’80’s that changed the music world with the introduction of “synthetic sounds.”

Synthesizers were given priority over the standard musical drive of a lead guitar. David Bowie said the music coming out of Sheffield was “the future of music.” Was David Bowie right? Or did the Sheffield Sound implode in vanished wishes and bitter competition? “The Human League” was the lead “sound” coming out of Sheffield, and of the two versions of the band, one didn’t make any money:

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