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The Chain of Custody for Reality: Why Every Public Image, Voice, and Document Must Prove Its Origin

The next decisive recording will arrive before our institutions are ready for it. It may show a governor accepting a bribe, a police officer issuing an unlawful command, a physician altering a chart, a candidate confessing contempt for the voters, or a military official announcing an attack that has not occurred. The image will be clear. The voice will be familiar. The setting will be plausible. Millions of people will see it before any newsroom, court, agency, or laboratory can establish where it came from. The accused will call it artificial. Supporters will not require proof. Opponents will not trust any proof offered in reply. Platforms will attach hurried labels. Forensic vendors will issue competing percentages. Partisans will treat technical uncertainty as political permission. By nightfall, the artifact will no longer be evidence of an event. It will be an instrument for measuring allegiance.

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Jury Duty: Theatre You Cannot Leave

The envelope looks like a bill and behaves like a warrant. It arrives in the plain mail between a seed catalog and a credit offer, your name printed the way only a government database can print it, and inside is a summons: report to the courthouse on a Monday in March, at half past eight in the morning, prepared to stay. You did not audition for this production. You signed no contract, negotiated no fee, read no script. The paper tells you what happens if you ignore it, and what happens is contempt: a fine, a cell, or both. Of all the performances running in America, this is the only one that conscripts its audience. By the end of the week you may be deciding whether a stranger loses liberty, money, children, or, in the courtrooms that still ask the question, life. The republic keeps one room in which that decision belongs to twelve people who did not volunteer that morning, and every seat in that room is filled by force of law.

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The Precarious Republic: Understanding the Fascist Threat to Modern Democracies

What if it doesn’t take years, or even months, for a democracy to collapse—but only a few short weeks? The idea that a stable republic could fall in ninety days may seem exaggerated, until you look at the historical record. Then it becomes a haunting possibility. Fascism doesn’t always arrive with fanfare or fire. Sometimes, it walks in through the front door, wearing a suit and a smile, welcomed by the very institutions it plans to dismantle.

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Rise of the Divine White

The Covid Pandemic released a vicious wave of cordoned hatred that has been brewing in America since the Civil War: The Divine White. That invented birthright has been vigorously defended, and consumed with contempt for the foreign, and hatred for the unsimilar, and that bile has bubbled beneath the veneer of civility, decorum, and democracy — always dangerous, but evidently nascent in daily public purgings — that is until, 150 years later, when an American president came to glory on the heels, and the cruel deficits of, a rabid, and deadly, gang of sycophants who placed personality, and ego, above the law, and beneath contempt.

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Three Wednesdays in January

In 2021, on three consecutive Wednesdays in January, in a trium of blood-bound events, we survived a catastrophe, we served a correction, and we held a celebration. Democracy is, at times, a gory and brutal mess — an angry boil in need of lancing — and sometimes in need of a realignment of values based on the witnessing of a live horror, in real time, as we are confronted by the monsters some of us have become in the lighted dark of day.

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Felons, Fascists, Freeloaders and Fools: Not My Utopia!

Utopia is a new, $50 million, reality television series from Fox that is supposed to run for a year — but I don’t think the show will make it to the end of October because of horrible casting decisions and even more miserable ratings.  The producers get some things right and most everything else wrong.

The technical aspects of the show, the live feed, the landscape, and the idea, are all right — but the casting is completely and horrifyingly wrong — as is the creepy-pervy peeping-tom-ish host who ruins the television show with his “stalkeristic” vibe and prissy mustache and bizarro hat and glasses.

As well, when you choose a convicted felon to be the center of your show from the git-go, and he’s also the initial online presence for your show and live feeds portal, something terrible and awful has gone wrong on a deep DNA level that cannot be cured by God, a false baptism, or human infusion.

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The Most Intelligent Alternative: In Defense of the Public Good

[Publisher’s Note: Boles Blogs author Howard Stein died on October 14, 2012 at 90 years of age.  In an ongoing effort to preserve his legacy and memory, David Boles is sharing articles and preserving other works from his private Prairie Voice archive. The following article was likely written by Dr. Stein in the early 1980’s — and his point still rings true, and still bites us with a bitter hardness of the flat truth — three decades later.]

Public education in the minds of the parents, schoolboards, teachers, and local politicians seems to have as its purpose either the preparing of the young for higher education (preferably private education), or the preparing of the young for a variety of jobs and trades.

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