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The Funeral of Handwriting: What We Lose When the Hand Stops Moving

In 2010, the Common Core State Standards Initiative dropped cursive instruction from its recommended curriculum. The decision arrived without ceremony. No public debate, no period of mourning, no recognition that a cognitive practice stretching back to the Sumerian reed stylus was being retired from American education. Forty-one states adopted the standards. Cursive, along with its slower sibling manuscript handwriting, began its institutional death.

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Kick the Bot, Fear the Dog: Street Psychology and the Coming Age of Mechanical Animals

The first time you see a sidewalk delivery bot, you smile. It is impossible not to. The thing is knee-high, usually white or pastel, rolling along on six stubby wheels like a cooler that gained sentience and decided to take itself for a walk. It carries burritos, or prescription medication, or someone’s iced latte, and it navigates curbs and crosswalks with the earnest determination of a toddler heading for a puddle. You watch it pause at an intersection, calculate its moment, and trundle forward with a confidence that borders on optimism. Your first instinct is to root for it.

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The First Thing They Burn: Why War Always Comes for Beauty

When the Mongol army sacked Baghdad in 1258, they did not stop at killing the Caliph. They threw the contents of the House of Wisdom into the Tigris. Manuscripts on astronomy, medicine, mathematics, philosophy, and poetry turned the river black with ink for days. Killing people was not enough. What those people had made, what they had thought and dreamed and rendered into form, that had to be annihilated too. Kill a generation and you end a bloodline. Destroy what a generation built and you erase the proof that the bloodline mattered. This is strategy, not collateral damage. Invading armies have always understood something about beauty that peacetime democracies pretend not to know: beauty is power. A public display of beauty is a sovereignty claim, and no occupying force has ever been able to tolerate one.

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The Applause of Fools: How Erasmus Predicted Every Century After His Own

In 1509, Desiderius Erasmus of Rotterdam, writing from the restless perch of Thomas More’s London house, composed The Praise of Folly (Moriae Encomium) in the span of roughly a week. The book was a satirical grenade lobbed at the Church, at the academy, at every strutting peacock of European intellectual life who mistook plumage for substance. Among its many surgical observations, one line has outlived them all with terrifying accuracy: “The less talent they have, the more pride, vanity, and arrogance they have. All these fools, however, find other fools to applaud them.”

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The Zeroing of Knowledge: When Everything Is Known, What Remains Worth Learning?

Knowledge used to be expensive. It cost years of apprenticeship, tuition in the tens of thousands, decades of practice, and, more than anything, the brutal currency of time. A physician spent twelve years beyond high school before being trusted to cut into a human body. A lawyer spent seven years and a bar exam before being permitted to argue before a judge. A professor spent a decade accumulating the credentials required to stand before a lecture hall and declare, with institutional authority, that they knew something you did not. The entire architecture of Western professional life was built on a single economic premise: knowledge is scarce, therefore knowledge is valuable, therefore the people who possess knowledge deserve premium compensation for granting access to it. That premise is now dead. It did not die slowly. It was killed in roughly three years, and we are only beginning to understand the corpse.

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Why Cooperation Beats Competition If You Design It Right

We praise competition because it slings us awake, but the quiet truth is that cooperation does the heavy lifting. It stitches days together, forges talent into reliability, and turns cleverness into outcomes you can touch. You see it most clearly where failure costs blood or bread. Think of the night shift in a busy hospital: rounds, handoffs, an attending who catches what a resident almost missed because the culture expects second looks instead of blaming first movers. The system works not by goodwill alone but by rules that force repetition and reputational memory: chart audits, morbidity and mortality conferences, and the knowledge that you will see the same colleagues tomorrow. That is how fragile human kindness hardens into durable care.

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‘c’: More Than Just Fast as We Unpack the Universe’s Master Constant

Let’s dive into the universe’s ultimate speed limit: the speed of light. It’s a concept so fundamental that it underpins much of modern physics, yet so mind-bogglingly fast that, as you say, human intuition struggles to truly grasp it. We call it ‘c’, and its value in a vacuum is precisely 299,792,458 meters per second. That’s not just an estimate; since 1983, the meter has been precisely defined as the distance that light travels in a vacuum in exactly 1/299,792,458 of a second. So, light’s speed isn’t just something we measure; it’s a foundational pillar of our measurement system.

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Unlikely Kindred Spirits: Kripke, Heaney, and Elizabeth I: A Linguistic and Philosophical Analysis

At first glance, the analytic philosophy of Saul Kripke, the dramatic poetry of Seamus Heaney, and the political statecraft of Queen Elizabeth I could not seem more disparate. What could a 20th-century logician, a Nobel Prize-winning Irish poet, and a 16th-century monarch possibly share? Yet, beneath the surface, each grappled with language, identity, and authority in redemptive ways. Each, in their own silo, understood that naming and narrative wield power – whether it’s designating a possible world in logic, naming the unnameable traumas of Irish history, or styling oneself “Virgin Queen” to command a realm. In this exploratory conversation, we’ll sink into Kripke’s revolutionary ideas about reference and necessity, examine Heaney’s dramatic explorations of history and identity, and uncover how Elizabeth I engineered her political identity through language. We’ll reveal subtle connections – the resonances in their treatment of naming, authority, and the notion of necessity – to see how each shaped their world and left a lasting impact on the future. The journey is a thoughtful occupation: part historical detective work, part philosophical reflection, as we uncover lessons and methods from this unlikely trio.

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Herb Mignery Bronze Sculpture Garden in Bartlett, Nebraska

There’s a special place hiding in the Nebraska Sandhills called the “Mignery Sculpture Garden” in faraway Bartlett, Nebraska. On a recent visit back to the Midwest, our lovely hosts Russ and Kathy drove us in their Ford truck to Bartlett, Nebraska to check out the bronze artwork installation hiding in the Sandhills; Janna and I are grateful to Russ and Kathy for thinking of us for the experience, and for the kindness and for the amazing journey we shared one hot July morning in the stuffy, and humid, American Midwest. Our host for the morning was the immeasurably wonderful blue-shirted Bob Nichols who has now dedicated his life to the propagation of Herb’s artwork, and their shared legacy, in Wheeler County.

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Cathedrals of Chalk: 55 Years Later!

I believe I was three or four years old when I took my first visit to the Chalk Mine near North Loup, Nebraska. Growing up there each summer, and with each subsequent visit to the mine, the experience of being surrounded by a cooling white chalk was both effervescent and full of young wonder. Heading back into the mine last summer as an old man, after a break of about 40 years, proved yet another interesting example of how sometimes things change beyond the fateful recollection of the shared memory.

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