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Seven Seconds in Jersey City is a Lifetime Too Long

My ophthalmologist is always excitable. She enjoys life. She’s an excellent MD. She knows I’m a writer, and a Script Doctor, and she makes bumping into her at her office to pick up my contact lens order, a real delight!

My doctor is also a Jersey City girl, born-and-bred, and she’s tough, and smart, and she knows the city well; and my doctor implored me to watch the new Netflix Seven Seconds cable series because it was about the city in which we spin.

She told me Seven Seconds was dark, and ugly, and that “bad people live here in Jersey City” — but my doctor loved the series, and she binge-watched all 10 one-hour episodes in a single sitting! She went on to tell me I had to watch it too, and that she would be testing me on what happened in the story the next time I sat with her for my annual eye examination. I took her up on her offer — and challenge! — because I had no other choice!

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The Age of Ophelia and the Sticky Transom

We live in The Age of Ophelia and of the sticky transom, and neither of those things are good, or worthy, when day is done. Ophelia is one of the most insipidly sad characters in all of Shakespeare’s greatest works — and in Hamlet, she not only dies a coward’s death — she also deeply burns disappointment into every reader of the play and observer of her character in performance.

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A Stone’s Throw: “That Abortion Play” 30 Years Later

Thirty years ago, as an undergraduate student at the University of Nebraska at Lincoln, I wrote a play: A Stone’s Throw. The full-length drama was about the dilution of the human spirit forged against the willful hard-edge of moral exhumation — but my production quickly became known on campus as “That Abortion Play.” You may download an early draft of “A Stone’s Throw” on this Boles.com Prairie Voice Archive Scripts page; and here some of the reviews of the production.

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A Brand New Boles Book for the Playwright in Society

Yes, today is a Day for Fools — but there’s no joking around that I now have a brand new Boles Book for the Playwright in Society — available for purchase from David Boles Books Writing & Publishing! This Boles Book for… is a thoughtful compilation of a lot of my writing on how the Playwright derives power and structure from the fabric of belonging.

BUY NOW!

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Does a Play Exist Without Performance?

There’s an old saying in some theatrical circles that a play does not exist unless and until is has been performed on a live stage in front of an audience.  You can imagine the heartache that creates for the amateur, but vigilant, Playwright who writes page after page only to have the work discounted in the end analysis by some because there is no final proof of production to validate the effort.  Is that a right and fair way to deal with a written Art in Performance?  Does the actor exist without being staged?  Does the director have a role without filling an empty space?

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