The Rehearsal State: When Governance Becomes Performance

There is a scene in every disaster movie where the official steps to the podium, adjusts the microphone, and assures the public that resources are being mobilized, plans are being activated, and the full weight of the institution is being brought to bear. The audience in the theater knows the official is lying or incompetent or both. The audience at home, watching the real version of the same press conference after the real hurricane or the real chemical spill, has no such certainty. They take the performance at face value. They go to bed believing the plan exists.

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How One Act Plays Killed the Theatre

I am not a fan of the One Act Play — even though I’ve written many of them — because I now realize just how ubiquitously they have killed the modern theatre by shaving expectation, shortening audience attention spans and by setting a low-budget watermark for producers and a little-to-none time commitment for directors and actors.  One Act Plays are a cheat against the human spirit, as the convenience of mindless television plotting replaces the tension of the live stage performance.

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Batman Killed By His Dead Father

Batman is dead. His own dead father killed him.

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Saving Private Soldier Sperm

War not only ravages the body.  War savages the family.  War kills the future.  War assassinates the now.  A soldier’s widow was forced by the United States Military to not only fight for her right to her dead husband’s sperm, but she was also pressed to dig into the muck and mire of a rigid military system that was unkind to the living remnants of a fallen body.  Kynesha Dhanoolal won the battle, but lost her war.

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They Killed Edgar!

I cannot believe they killed Edgar Stiles (aka Louis Lombardi) on 24 last night!

24

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