There was a Golden Decade in American television between the years 1952-1963 when live theatre performances were aired live on the young ABC Television network. The show was called — ”The United States Steel Hour” — and it was produced by The Theatre Guild, and we’ve never had such a perfect blending of live performance for a national audience.
There’s never enough for anything in the theatre. Everything is a rush. Nothing is sacred. Covenants are daily broken.
Any performance — live or “recorded live on tape” — is nothing without tension. The live stage is filled with tension because of its unique requirement of being presented in live time while anything can happen.
When you interpret a musical drama or a live stage event for the Deaf, you have a tremendous responsibility to be clear and precise while honoring the originating spirit of the base text.
Finding the right form for expression is always a challenging effort and mandate and today, we are delighted announce that UnitedStage.com has transmogrified from website into the 13th blog in the Boles Blogs Network!
You must be logged in to post a comment.