How to Write A Lifetime Network Murder Movie of the Week

In my work as a Script Doctor, I take dramatic stories for television, the movies, and the stage, and I make them structurally better. That sort of work isn’t formulaic, but there are common touchstones that must always be considered and then incorporated — what I remember the great Joseph Campbell loosely calling, “the natural rhythms of human storytelling shared with the reliability of a heartbeat” — and that’s what I do; I provide an unpacked redirection of the concentric condition that we are all innately accustomed to sending and receiving in a performance communication dyad, in the acknowledgement of, and in the often unwitting acceptance of, “The Holy Triad.” The Creator, The Object and The Observer.

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The Ghost Business: More Adventures in Script Doctoring as The Script Professor

I recently wrote about a fellow who wanted my Script Doctor services via my Script Professor.com website, and the reaction to that poor guy was so fascinating across all my public and private interwebs, that I decided to offer a follow-up to that adventure. When I do script doctoring, or ghost writing, as The Script Professor, anything goes, and by that I mean, I can fix anything written that is broken — and that includes scripts for television, radio, film and books and scholarly papers and anything else that might be in need of pruning or total rehabilitation.

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Using Online Charity Auctions to Buydown Broken Dreams

In my work as a script doctor at ScriptProfessor.com — I meet a lot of people with varying talent — the saddest stories belong to the abandoned and the broken-hearted, those who wished upon a star and fell back to earth without touching the moon, and melted.  Showbiz tends to call those burnt souls “star fuckers” because they’ll do anything and everything to be noticed — let alone produced — while the kinder among us tend to label them “fame whores.” I just choose to try to have empathy for their plight as I work with them, but there’s also a certain queasiness involved as one feels like a dancing minstrel playing a part for money that will never be seen nor heard — all in the discriminatory want to try to help make someone’s script better for a fee.

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The Residue of Founding Intention

In my professional work as a script doctor at ScriptProfessor.com, I am always struck numb by those that believe anyone can write and that everyone can fix a dramatic work.  Nothing could be farther from the truth.  Understanding how to make a script work is a tough task that few people in the world really understand and even fewer are able to perform at any price.

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