I recently wrote about a fellow who wanted my Script Doctor services via my Script Professor.com website, and the reaction to that poor guy was so fascinating across all my public and private interwebs, that I decided to offer a follow-up to that adventure. When I do script doctoring, or ghost writing, as The Script Professor, anything goes, and by that I mean, I can fix anything written that is broken — and that includes scripts for television, radio, film and books and scholarly papers and anything else that might be in need of pruning or total rehabilitation.
In my work as a script doctor at ScriptProfessor.com — I meet a lot of people with varying talent — the saddest stories belong to the abandoned and the broken-hearted, those who wished upon a star and fell back to earth without touching the moon, and melted. Showbiz tends to call those burnt souls “star fuckers” because they’ll do anything and everything to be noticed — let alone produced — while the kinder among us tend to label them “fame whores.” I just choose to try to have empathy for their plight as I work with them, but there’s also a certain queasiness involved as one feels like a dancing minstrel playing a part for money that will never be seen nor heard — all in the discriminatory want to try to help make someone’s script better for a fee.
In my professional work as a script doctor at ScriptProfessor.com, I am always struck numb by those that believe anyone can write and that everyone can fix a dramatic work. Nothing could be farther from the truth. Understanding how to make a script work is a tough task that few people in the world really understand and even fewer are able to perform at any price.