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The First Thing They Burn: Why War Always Comes for Beauty

When the Mongol army sacked Baghdad in 1258, they did not stop at killing the Caliph. They threw the contents of the House of Wisdom into the Tigris. Manuscripts on astronomy, medicine, mathematics, philosophy, and poetry turned the river black with ink for days. Killing people was not enough. What those people had made, what they had thought and dreamed and rendered into form, that had to be annihilated too. Kill a generation and you end a bloodline. Destroy what a generation built and you erase the proof that the bloodline mattered. This is strategy, not collateral damage. Invading armies have always understood something about beauty that peacetime democracies pretend not to know: beauty is power. A public display of beauty is a sovereignty claim, and no occupying force has ever been able to tolerate one.

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The Precarious Republic: Understanding the Fascist Threat to Modern Democracies

What if it doesn’t take years, or even months, for a democracy to collapse—but only a few short weeks? The idea that a stable republic could fall in ninety days may seem exaggerated, until you look at the historical record. Then it becomes a haunting possibility. Fascism doesn’t always arrive with fanfare or fire. Sometimes, it walks in through the front door, wearing a suit and a smile, welcomed by the very institutions it plans to dismantle.

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A Stone’s Throw: “That Abortion Play” 30 Years Later

Thirty years ago, as an undergraduate student at the University of Nebraska at Lincoln, I wrote a play: A Stone’s Throw. The full-length drama was about the dilution of the human spirit forged against the willful hard-edge of moral exhumation — but my production quickly became known on campus as “That Abortion Play.” You may download an early draft of “A Stone’s Throw” on this Boles.com Prairie Voice Archive Scripts page; and here some of the reviews of the production.

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New York City Union Square Street Performance

Yesterday, I was fortunate to watch a live Memorial Day weekend performance in Union Square in New York City. The performers were wild and quite enjoyable and I have some video tidbits of the event to share with you.


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The Eight-Year Jersey City Crossing Guard Who Lost His Heart

I do a lot of walking in New York City and Jersey City.  There’s one particular corner in Jersey City that always strikes fear deep in my heart and stabs me down betwixt my toes with absolute pity and terror:  The “crosswalk” — angularly located at the bisection of Nardone Place and John F. Kennedy Boulevard West — spans five lanes of traffic, at least six turning car angles aiming straight at you, and a long walk that means you actually must run as fast as you can to make it safely across the street.

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