We love a Semiotic world where images can have a variety of meanings and influences depending on the eye perceiving the message.
I have a lovely friend who is known to make up fanciful lies — mainly to entertain those that whirl around her in New York — and to assuage any pain or lonesomeness in her life.
You always wonder where her reality begins and the fantasy ends.
Do you dream in color? Are you lucid in your dreams? Are you able to actively dream while awake?
It’s a fair question to wonder on the meaning of a “Celebrity Semiotic”
— what is it, what does it mean, and what are you doing with the idea
here? The celebrity is the image — sometimes a craven image —
that lives beyond the ordinary life and into the excesses of the future
and the past.
Bertolt Brecht was a SuperGenius author, writer and director.
As a radical man of the German theater in the 1920’s, 1930’s and 1940’s his influence and style provide us great vision today.
Continue reading → Bertolt Brecht and the Meaning of White Light
How does one create a context for understanding in translation when words can have a multiplicity of meanings in one language and a single meaning in another language?
Ideas require the specificity of definition with words in order to be fully comprehended in all spheres of sensation, but what happens when there is no specificity to be had in the translation of a word into an idea?
What is immediately lost? Subtlety? Humor? Context? Frames of innate understanding?
As the world crumbles in space and time how it is possible for nations — let alone people of the world — to agree on anything important that involves words and meanings and definitions that pull us beyond the universal human myth of shared beauty and aesthetic?
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