The Rehearsal State: When Governance Becomes Performance

There is a scene in every disaster movie where the official steps to the podium, adjusts the microphone, and assures the public that resources are being mobilized, plans are being activated, and the full weight of the institution is being brought to bear. The audience in the theater knows the official is lying or incompetent or both. The audience at home, watching the real version of the same press conference after the real hurricane or the real chemical spill, has no such certainty. They take the performance at face value. They go to bed believing the plan exists.

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Wilma’s Boy

My mother, Wilma Jean Boles, died on June 24, 2024. She was 85-years-old. Her death was unfortunate, and unnecessarily gruesome in that, in the end, she chose not to walk, or eat, or take her medication after a major surgery; the only thing she desired was a quick death. My mother always fought for what she wanted, and sometimes what she wanted is what nobody else wanted, including her death. Wilma never really recovered from elective surgery she had on May 23, 2024 to fix a perforated diaphragm where half of her stomach and part of her colon were stuck in her chest cavity, placing pressure on her left lung. Her surgeon believed she’d been living with that condition for more than 25 years; and he also believed there was “no good reason” for her not to recover and get better. As I have worked to come to terms with Wilma’s death, and the first 23 years of our life together, I am surrounded by — and often hunted with — the memories of my mother’s life, her successes, her disappointments, and her ability to continually confound the unwary. I have also realized, but not quite yet accepted, that no matter how hard I try, or how fast I may run, I will always be “Wilma’s Boy.”

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Superman, Batman and Spider-Man: How Murdering Loss Creates Comic Book Character

Over the holiday break, I decided to watch the newest Superman movie and I was certainly disappointed in the silly story, the rebooting of the franchise, and the awful acting of the lead character.  Superman should be wily, and funny, and tough.  He never preens.

It’s always boring when movie production houses feel they have to re-start a story that’s been never-endingly told for generations.  We pretty much know the backstory of Superman and we don’t need to re-live, over and over again, every 10 years or so, just how the star child becomes the Superman on earth.

In my short life, I think I’ve lived through at least a dozen iterations of Superman in film and on television and I would be perfectly fine to have a new Superman just appear in media res.  We get it he’s special and Superhuman, so just drop him in and let the story start with no explanation necessary!

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The World You Are Left with is Not the World I Wanted for You

One of the joys of my day is when I am able to speak to my friend and mentor, Howard Stein, who always has prescient and lively advice for me on a daily basis — even if we don’t speak every day!

In less than a year, Howard will turn 90 years old.  He just renewed his Stamford Library card until 2014 — making, as he joyously told me, a “bold statement about the fluidity of my future!”

During our latest conversation, as we reflected on our lives — as we are often wont to do — the tone turned serious and Howard said in a sad and somber voice, “David, the world you are left with is not the world I wanted for you.”

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We, Who Did Not Heed Eisenhower, are Now Slaves to the Military-Industrial Complex

We’re in the height of tax season and, as you prepare to pay your fair share, be sure you know you’re giving $260.00USD to Lockheed Martin, a single armaments manufacturer.  Do you feel safer at night knowing you’re faithfully paying your “Lockheed Martin” Slave Tax?

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